A compilation of stuff I know about drawing Asian faces and Asian culture! I feel like many “How-To-Draw” tutorials often default to European faces and are not really helpful when drawing people of other races. So I thought I’d put this together in case anyone is interested! Feel free to share this guide and shoot me questions if you have any! I’m by no means an expert, I just know a few things from drawing experience and from my own cultural background.Â
Tag: people of color
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bisexual candycorn: thoughts on skintones
people ask me a lot about drawing poc, more specifically “how” to do it. my kneejerk reaction is to get frustrated by it, because the answer is “just like you’d draw anything else.” it’s like the main excuse artists and writers use to not include poc in their art and in their worlds — they “don’t know how,” implying that we somehow operate by a separate set of rules, that while white characters don’t require a special set of considerations to be varied and textured and interesting, non-white characters are just an elusive series of step-by-step instructions that most creators just can’t be assed to learn or to include
i still feel that way
but
i guess i can understand that most instructive media focuses specifically on white aesthetics, proportions, skintones, and features, so there really is a need for more instructive material that is more inclusive
i can dig it
that said, there is a lot that i don’t know and am not good at and i don’t really feel comfortable trying to instruct other artists, but i’m fine with taking you through my thought processes a little
SO here’s some stuff about skintones. it’s not perfect, and there will never be a better teacher than the world around you for showing you what things look like and how to express them
first off, if you’ve ever seen me stream you know i don’t usually block in my shading with hard lines like this. i like to paint and sample colors as i go, but i’m trying to communicate my ideas about color a little better
but i’ve always used the same basic process for coloring skintones, any skintones, forever and always:
this is going to change up a little bit with directional lighting, colored lighting, environmental lighting, shit like that, but this is your basic procedure. the biggest mistake i think artists make is using skintone+black for shadows and skintone + white for highlights, and that results in pretty dull looking skintones
in the former image, i only varied the value of the main skin color, but in the latter i also varied the hue and saturation. doing so gives you more of an opportunity to add warmth and depth to your colors, as well as bring in environmental colors if you need to
you want to sample around the palette, use reds and purples and oranges, don’t just stay within the range of your base tone!
this applies for all colors, not just skin, but especially skin! you want skin to look alive, not plastic and dull
these same rules apply for most skintones
though it’s always going to be incredibly helpful to just look at references of the skintone you’re trying to draw, for little details like (for example), very dark skin, because there is a more extreme light/dark variation, will often look much more reflective than very light skin under the same lighting conditions
like so
because of this, you’ll want to work on using light more than shadow to describe form on dark skin
again, this is true of all colors, but especially skin, because you don’t want skin to look flat and lifeless!
the same rules can apply to fantasy skin tones. start with a base tone, then use warm, saturated colors to add light and shadow. sampling around the palette becomes really important for fantasy skintones if you are trying to make them look realistic/believable
this is especially true if, for whatever reason, you wanted to make a character with grey skin that looks alive and believable
OKAY THAT’S THE END OF OUR SHOW
LOOK AT THIS GOOD ASS RESOURCE MOTHERFUCKERS
Another helpful note is that darker skin tends to be shinier, which is especially easy to see on the super-dark people in the pics above. My rule of thumb is to use larger swaths of highlights on light skin, and more focused, smaller ones on darker skin.
(Though this is no more a hard-and-fast rule than anything else in art, but it’s a decent shortcut.)
Sharing another drawing tutorial for any interested. :)
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Shera, Princess of Power, original artwork.
Shera and her mighty steed, Swift Wind in front of Castle Greyskull.  This was about to stay in sketch purgatory until I finally looked at it again recently and decided to finally finish it.  And like I posted before, yes technically Swift Wind is a pegasus, but I couldn’t fit his wings in without obscuring Shera, so it was a design decision.  And as always, if you would like to purchase this print, then this link is for you.
If you all aren’t following this awesome artist, you should be.
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The sleeves are a little long because that coat used to belong to a magical wizard giant.
A Few Tips and Resources for Writing POC Characters
Anonymous asked: do you have any tips for writing poc characters when you, yourself, are white?The simple, honest answer is that you need to be very careful because you have never been a POC and therefore are in danger of portraying a group of people insensitively, unfairly, disastrously―you get the idea.
This concept is known as “Writing the Other”, and it basically refers to writing about characters whose racial heritage, sexual orientation, religion, etc. differ from your own. It can be intimidating, especially since Writing the Other incorrectly can harm you the writer, your readers, and the people about whom you write.
That being said:
I’ve said this before and I’ll say it again: I’ve never died, but I’ve written a death scene. I’ve never waved a magic wand or dueled a dragon or gone to Mars, but I can write about it. Why is that? Imagination and research. (x)
Mostly lots and lots of research. We’re going to give you a great resource in the links below to get you started.
“But remember, there are two ways to dehumanize someone: by dismissing them, and by idolizing them.”
― David WongTry to write without pity or condescension or idealism in your heart. This is a sure way to mess up writing any character, but most especially a character based on a real group of people who are culturally different from you.
Instead, write characters with dignity and who are grounded in reality. Write honest characters.
Now for those resources we promised:
Need more?
- How to Write a POC Character Part I: The Authentic Race
- Writing about PoC’s
- Writing the Other
- Why Writing People of Color Is Hard
Thank you for your question! If you have any concerns or suggestions about this article or writing in general, hit up our ask box!
-C
This is relevant to a question we received recently and is worded much better than anything I could’ve said.
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Can we all just take a some time out this morning to appreciate this beauty??!? Nwa Bote for Angel Sanchez Resort 2013.
YES WE CAN
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[Images: Two photos of a chubby woman of color wearing a belted black-and-white-striped dress with black leggings and shoes.]
Circus Pleats. [Outfit Details] [Youtube]
I’m seeing all these big bold vertical stripe shirts and dresses and I really want one. I’m thinking blue/white, pink/white, or yellow/white.
I really kinda want to look like those iconic striped beach tents that I think you’re supposed to change in.
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[Image: Photo of a dapper person of color in a tweed jacket, button-up shirt, green bowtie, and rolled up jeans with brown leather boots on her feet.]
swag.
Ooooh, style inspiration for Audrey, maybe.
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Sailor Scouts, original artwork.
Finally finished!!  As I said earlier, I tried fitting Sailor Venus in there, but to keep the paper aspect ratio, I couldn’t.  So from left to right, Sailor Moon, Sailor Mercury, Sailor Jupiter, and Sailor Mars.  I will have prints of this made before the end of the week.
And as a bonus, here’s a drawing I did of Sailor Moon a little over a year ago.
Super awesome.