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mortmorrison:

I’m a huge sailor moon fan and very excited about the new anime. However I felt a little sad that the new proaction feels and looks like low budget. The 90s version wasn’t very close to Takeuchis style. So this time they wanted get closer in sailor moon crystal to the original manga style.

I still like the idea. But I didn’t felt very comfortable because the new anime is having some small issues. Its not a problem with the new style.. the problem lies in the face and the proportions.

Nevertheless I’m going to enjoy sailor moon crystal anyway. I’m still very happy about the new production from toei animation. I just wanted to share my thoughts. Here I tried to modify the sailor moon crystal screenshot and tried to honor Naoko Takeuchis wonderful style.

Take care and tell me what you think.

Sailor Moon crystal by Toei Animation

Sailor Moon by Naoko Takeuchi

Also a very interesting style tweak for the animation! I dig it.

How Sailor Jupiter Made Me Who I Am Today

amandamillervo:

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I need to take a second to explain why this woman means so much to me.

Forgive me, I’m usually kind of a goofball, but I’m going to get on my cheesy sentimental podium for a second, because I wanted to share with you one of my favorite Sailor Moon moments (from a filler episode no less) and why it affected me so much as a child.

I will always remember the first time I saw this episode. I watched Makoto (Sailor Jupiter) figure skating so beautifully and gracefully; she looked like an ethereal princess gliding around the rink. A handsome male figure skater comes up and joins her. She swoons instantly, and it’s all adorable and romantic (aside from the fact that he’s, you know, a demon who’s targeting her for the Dark Kingdom, but that’s besides the point). But for a moment, it gets awkward. Her skating partner can’t lift her because she’s athletic, tall and not exactly dainty, so instead, without batting an eye, she lifts him over her head. The look on her face wasn’t apologetic. She genuinely was having a blast and didn’t care that taking the traditionally masculine power position might make her seem less attractive to him or that she needed to hide her strength so as not to emasculate him.

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To Makoto, lifting him was just as viable a solution as him lifting her.

I always was drawn to Makoto for her interesting juxtaposition of the masculine and feminine. Her version of womanhood was complex, well-rounded, and unique to anything else I had seen in kids shows before. She was at the same time strong and sweet, badass and gentle. On the one hand, a tough self-sufficient independent woman who had lived on her own for years and answered to no one. On the other, a hopeless romantic who liked crushing on cute boys and secretly dreamed of becoming a beautiful bride someday.

I also remember the episode where she gets a lady crush on Haruka, which was not so much about sexual confusion, but more the fact that she deeply admires how Haruka is confidently able to reconcile the masculine and the feminine parts of herself, and doesn’t apologize for how anyone else receives her. Someone else’s confusion or inability to put her in a box is their problem, not hers.

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“Oh, snap.”

Makoto even admits to Usagi that one of the reasons she learned how to cook was that she felt the need to balance her tomboyishness and tall, muscular stature with more traditionally girly traits so that it would maybe soften her up and people wouldn’t be as intimidated or afraid of her.

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I may not be able to lift a grown man over my head, but as a tomboy who played soccer and hockey, and was the tallest girl in my elementary and middle school class, her’s is struggle I identify so deeply with, and is something I always have and still wrestle with. Judging by the responses I got from a lot of girls after the AX Sailor Moon Q&A panel where I mentioned that very thing, it would seem that apparently I’m far from alone in that struggle.

And this applies for guys, too. I think both genders often feel pressure to align their interests and personality with what’s more socially acceptable for their biological sex. Men have to worry that they’re being too “effeminate” and if they show too much emotion or sensitivity, they’ll “lose their man card”. Women are told to avoid being assertive or opinionated so as not to appear “bossy” or “bitchy”.

And God forbid you be your full-blown, unbridled, unfiltered, strong, smart, sassy self around a guy you’re interested in. The common sentiment seems to be that if you’re not a demure, coy, shrinking violet, somehow men can’t possibly find you attractive. (…Although the fact that Makoto had a notoriously terrible time finding love didn’t do much to assuage my worry that boys would be turned off by my personality. But then again, she was a teenager which is just an all-around awkward time for everyone in the romance department. If they did a Sailor Moon epilogue to show them in their 20s or 30s, I’d be curious to see if Makoto finally got her wish of getting married….annnnd I’m seriously postulating about the long-term romantic prospects of a fictional character. Wowza).

That’s why what Naoko Takeuchi did was so brilliant and progressive in my eyes. When I started watched this show, I was young, insecure, and impressionable. I was still trying to find myself and figure out what categories I fit into. Seeing Makoto’s journey showed me that it’s okay to not fit neatly into any box, and that girls can be superheroes, too. You can save the world and vanquish evil and do it while wearing a skirt, cute accessories, and fabulous boots, if you want. You don’t have to sacrifice an ounce of your strength in order to maintain your femininity, and vice versa.

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Having that inner conflict represented on screen helped me so much growing up, because it showed me that I wasn’t alone. It inspired me to believe that being strong, courageous, and athletic, and being vulnerable, soft, and, feminine are not mutually exclusive.

On days when I question myself and really really need to be reminded of all these things, I stop, and think:

“Hey. Remember, Jupiter was a princess and a soldier. Don’t make apologies for who you are just because some people’s tiny brains can’t process the fact that you are a fiercely powerful princess, a gentle warrior, a giggling boy-crazy tomboy, a decidedly “unladylike” lady, and undeniably 100% woman.”

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So…thanks, Mako-chan.

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I really like the lotus-form ginzuishou that came with the Moon Stick, though I wish there was a way to clip it to the display stand or something, because I don’t know what to do with it.  I like having the round ginzuishou IN the Moon Stick, so the lotus part has nothing to do. (If they’d designed the stand to lift the thing up a little higher, the lotus could slide in under the wand and support it from below. That would have been neat.)

So I’ve taken to grabbing small objects and desk toys nearby and admiring the effects.

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So all week I’ve been rewatching Crystal episode 1, and mulling over what I think hasn’t been working for me.  While I was fairly satisfied with Usagi’s face acting once I saw it, her eyes still look kinda lifeless and soulless, so I’ve been trying to figure out what exactly isn’t gelling with me.

And I think it’s her pupils.

I’ve had a similar problem with my OWN art in the past, paying so much attention to carefully and lovingly rendering eyes that they kind of turn into soulless globs of color in the characters’ faces.  Honestly, the solution, for me, was to simplify shading in eyes and let the characters’ expressions do more of the work. (Plus, being comics, the eyes are about an eighth of an inch in size anyway, so no one sees what I did most of the time, anyway.)

But for Usagi specifically, I think the teeny tiny pupils, coupled with the attention to shading that the animators did with her irises, are kind of combining to suck some of the life out of her expressions, just like it did with my own artwork.  So I just did a VERY quick edit in Photoshop to compare what a larger pupil would do for Usagi in these two screencaps.

For me, it does a lot.  I think it makes her look less vacant.  Simplifying the shading/rendering in her eyes further would probably add some more Usagi back in.  This close-up on Ami’s eyes from the next episode preview suggests that the animation team may end up doing exactly that:

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My guess, is that they’re going to dial it back, but they had the extra budget to go all out on the first episode, so they spent time making everything extra shiny and sparkly. As you do.

So that’s my take/opinion on the animation so far!  Apart from this one thing that was bugging me, I really loved the first episode.  And of course, this is no judgement on anyone who loves the new animation as it is!  It’s just my opinion as an artist, and you are welcome to disagree with me. :D